Wednesday, July 20, 2011

A SHELTER IN THE TIME OF STORM


I have always liked this song.  Vernon Charlesworth originally wrote the words and music in 1880.   But, in 1885, Ira Sankey re-wrote the music, and tells why:

“I found this hymn in a small pa­per pub­lished in Lon­don, called “The Post­man.” It was said to be a fav­o­rite song of the fish­er­man on the north coast of Eng­land, and they were oft­en heard sing­ing it as they ap­proached their har­bors in the time of storm. As the hymn was set to weird mi­nor tune, I decided to com­pose one that would be more prac­ti­cal, one that could be more ea­si­ly sung by the peo­ple.”[1]

Sankey, Ira Da­vid. My Life and the Sto­ry of the Gos­pel Hymns. Har­per & Bro­thers, 1906., pp. 106-7
Vernon John Charlesworth    (1839 – 1915)

Son of Thom­as Charles­worth of Bark­ing and ne­phew of Jo­seph W. Charles­worth, Vi­car of Heach­am, Nor­folk, Charles­worth was ed­u­cat­ed at Ho­mer­ton Coll­ege. He served as co-pas­tor (with New­man Hall) of Sur­rey Cha­pel (1864-69), head­mas­ter of Charles Spur­geon’s Stock­well Or­phan­age (1869-1915), and a Min­is­ter­ing El­der of Spurg­eon’s Me­tro­pol­i­tan Ta­ber­na­cle. His works in­clude:
  • The Life of Row­land Hill
  • Flowers and Fruits of Sac­red Song and Evan­gel­is­tic Hymns (in con­junc­tion with J. Man­ton Smith)

The Stockwell Orphanage was for fatherless children to be able to live without charge, and given shelter, food, clothing, care, instruction and education.  It had been started two years earlier and was open to orphans of all religious backgrounds.  It was provided as an alternative to “poor houses” where orphans and the poor were used as slaves for businesses and given very inadequate and abusive care. The goal was to incorporate the children into large families, and to care and provide for the children as part of “normal” Christian families, instead of as if they were herds of institutionalized children. This was an expensive and tough ministry to start and maintain, but one that grew abundantly.  [2]

A SHELTER IN THE TIME OF STORM   
   Words and Orig Music By: Vernon J Charlesworth, circa 1880
     Music: altered by Ira D Sankey, circa 1885

"I found this hymn in a small paper published in London, called "The Postman." It was said to be a favorite song of the fisherman on the north coast of England, and they were often heard singing it as they approached their harbors in the time of storm."

My Life and the Story of the Gospel Hymns, by Ira D. Sankey (Philadelphia,
Pennsylvania: The Sunday School Times Company, 1907).

  1.  The Lord's our rock, in Him we hide,
A shelter in the time of storm;
  Secure whatever ill betide,
  A shelter in the time of storm.    
 
   CHORUS:
  Oh, Jesus is a Rock in a weary land,
  A weary land, a weary land;
  Oh, Jesus is a Rock in a weary land,
  A shelter in the time of storm.
    
  2. A shade by day, defense by night,
  A shelter in the time of storm;
  No fears alarm, no foes affright,
  A shelter in the time of storm.
      
  3. The raging storms may round us beat,
  A shelter in the time of storm;
  We'll never leave our safe retreat,
  A shelter in the time of storm.

  4. O Rock divine, O Refuge dear,
  A shelter in the time of storm;
  Be Thou our helper ever near,
  A shelter in the time of storm.

Tuesday, July 19, 2011

LOVE LIFTED ME


JAMES ROWE

  1865-1933
Son of John Rowe, a cop­per min­er, James worked for the Ir­ish gov­ern­ment for four years, then em­i­grat­ed to Amer­i­ca at age 24. He set­tled in Al­ba­ny, New York, and worked in rail­roads in New York for 10 years. He then be­came an in­spect­or for the Hud­son Riv­er Hu­mane So­ci­e­ty.  He later worked with mu­sic pub­lish­ers such as the Trio Mu­sic Com­pa­ny, Wa­co, Tex­as; the A. J. Sho­wal­ter Mu­sic Com­pa­ny of Chat­ta­noo­ga, Tenn­es­see; & the James D. Vaugh­an Mu­sic      Com­pa­ny of Law­rence­burg, Ten­nes­see. In his final years, Rowe moved to Ver­mont & worked with his daugh­ter, an ar­tist, writ­ing greet­ing card vers­es.
Sources
Lyrics:  Hymntime lists the titles of 45 of his songs.

Famous song writer James Rowe didn't have an easy life. As a matter of fact, just performing the art of writing was a real struggle. Born January 1, 1865, James was the fifth of 9 children, but the first born boy. He and his family lived in Wales.
In 1889 James, as a 24-year-old man, immigrated to the United States, where he settled in Albany New York.  During the course of his life, James worked as a teacher, government worker, railroad worker, and an inspector for the Hudson River Humane Society.
While he enjoyed his work, his true passion lay in creating.  It is said that James Rowe wrote some 20,000 hymns and poems. Among them were such cherished songs as: “God Holds the Future in His Hands”, “I Walk With the King”, “If I Could Hear My Mother Pray Again”, and many others.
What makes this so amazing is what he overcame in order to pen these thousands of songs. According to his daughter, she witnessed her father, who suffered with a serious case of arthritis, spending day after day working on the words, melody, and music to many different songs.  Despite the pain with which he lived, he pushed through and achieved his goals of putting his faith to the written word.
One of those songs which he labored over is the well-known hymn, "Love Lifted Me."

        LOVE LIFTED ME

[Enjoy!]

FANNY JANE CROSBY


FANNY JANE CROSBY

             Some info from:  http://www.hymntime.com/tch/bio/c/r/o/crosby_fj.htm

Born: March 24, 1820, Putnam County, New York.
Died: February 12, 1915, Bridgeport, Connecticut.

Fanny Crosby was probably the most prolific hymnist in history. Though blinded by an incompetent doctor at six weeks of age, she wrote over 8,000 hymns. About her blindness, she said:

   “It seemed intended by the blessed providence of God that I should be blind all my life, and I thank him for the dispensation. If perfect earthly sight were offered me tomorrow I would not accept it. I might not have sung hymns to the praise of God if I had been distracted by the beautiful and interesting things about me.”

In her lifetime, Fanny Crosby was one of the best known women in the United States. To this day, the vast majority of American hymnals contain her work.  Her se­cu­lar works in­clude:
  • The Blind Girl, 1844
  • Monterey and Other Po­ems, 1851
  • A Wreath of Co­lum­bia’s Flow­ers, 1858
  • Bells at Ev­en­ing and Other Vers­es (New York: Big­low & Main, 1897)

When Fanny died, her tomb­stone carried the words, “Aunt Fanny” and “Blessed Assurance, Jesus is mine. Oh, what a foretaste of glory divine.” Eliza Hewitt memorialized Fanny’s passing in a poem which was read at her funeral:  [See the hymntime site for the text of the poem.]

Sources
  • Anderson, Ro­bert and Gail North. Gos­pel Mu­sic En­cy­clo­pe­dia.  [PG 201] New York: Ster­ling Pub­lish­ing Co., Inc., 1979.
  • Crosby, Fran­ces Jane. Mem­o­ries of Eighty Years. Bos­ton, Mass­a­chu­setts: James H. Earle & Com­pa­ny, 1906.
  • Hall, Ja­cob Henry. Bi­o­gra­phy of Gos­pel Song and Hymn Writ­ers. New York: Flem­ing H. Re­vell Com­pa­ny, 1914. , pp. 37-42
  • Ju­li­an, John. Dic­tion­ary of Hymn­ol­o­gy, se­cond edi­tion. Lon­don: J. Mur­ray, 1907, pp. 1203-1205, 1720
  • McCutchan, Ro­bert Guy. Our Hymn­o­dy. New York: Meth­od­ist Book Concern, 1937, p. 273-4, 277, 279, 287-90
  • Miller, Ba­sil. Fan­ny Cros­by: God’s Sing­ing An­gel. Pas­a­de­na, Cal­i­for­nia: World-Wide Miss­ions, 1950.
  • Rothwell, p. 47
Pseudonyms (see Crosby, p. 627)        When publishers began using a lot of Fanny’s poems for hymns, they soon began to worry that people would not sing them if the words were written by only a few people.  As a result of this idea, Fanny used pseudonyms when signing her poems.  The list of 229 different names is listed on the “HymnTime” website.

  Hymns  The “HymnTime” website lists 557 titles of her songs now.  We are all blessed by the efforts of those who operate this website.

.-- -- -- --
I think the success and popularity of her hymns was not only the words and the rhyming, but also because of the blessings of the Lord on the minds of the musicians who composed music for her songs.

It is hard for me to choose just one song to put with Fanny Crosby’s information, but I think I will use “TO GOD BE THE GLORY” because of a story that goes along with this song.

TO GOD BE THE GLORY            (1873)    Key:  Ab    3/4
      Words:   Fanny J Crosby, in Bright­est and Best, by W H Doane & Ro­bert Low­ry   (Chi­ca­go, Il­li­nois: Big­low & Main, 1875), num­ber 118.       Music:   William H Doane

1.  To God be the glory -great things He hath done
So loved He the world that He gave us His Son,
Who yielded His life an atonement for sin,
And opened the life-gate that all may go in.

CHORUS:
Praise the Lord, Praise the Lord, Let the earth hear His voice!
Praise the Lord, Praise the Lord, Let the people rejoice!
O come to the Father through Jesus the Son,
And give Him the glory great things He hath done.

2.  O perfect redemption the purchase of blood,
To every believer the promise of God;
The vilest offender who truly believes,
That moment from Jesus a pardon receives.

3.  Great things He hath taught us, Great things He hath done,
And great our rejoicing through Jesus the Son;
But purer and higher, and greater will be,
Our wonder, our transport when Jesus we see.
.-- -- -- --

TO GOD BE THE GLORY
                        A Hymn story by Cliff Barrows[1]

    Can a hymn die, can it live again?  The life story of “To God Be The Glory” proves that the answer is “yes”!  Originally composed in America sometime before 1875, it was almost immediately forgotten in it’s native land.  In 1954, however, “To God Be The Glory” was rediscovered and acclaimed as a new favorite
    In Great Britain this same hymn never faded into oblivion as it did in the United States.  I had heard it sung there in 1952 during one of our early visits.  Later, it was suggested for inclusion in the songbook we were compiling for the London Crusade of 1954.  Because of its strong text of praise and its attractive melody, I agreed.   We introduced the hymn in the early days of those meetings in Harringay Arena.  As a result, Billy Graham asked that we repeat it often because he was impressed by the enthusiastic presentation of the audience.  In the closing weeks of the crusade it became our theme hymn, repeated almost every night.  The words expressed our praise to God, who was doing wondrous things in Britain
    Returning to America we brought the hymn with us and used it in the Nashville, Tennessee Crusade in August, 1954.  It was quickly adopted by many church groups and has recently been included in several new hymnals, including the Baptist Hymnal (Southern Baptist) and the Trinity Hymnal (Orthodox Presbyterian).
    Why “To God Be The Glory” was so late in receiving recognition in its homeland may always remain a mystery.  It is not mentioned in the writings of either Fanny Crosby, author of the words, or W H Doane, composer of the music.  Evidently the songleader, Ira D Sankey, took it to Great Britain when he went there with evangelist D L Moody in 1873.  Sankey included it in his Sacred Songs and Solos, a hymnbook first published in England in 1874 and still used today. 
    For some unknown reason, the song did not appear in the important Gospel Hymns series of [song]books which Sankey published in America after his return from Britain in 1875.  Through the years “To God Be The Glory” has been included in several American Hymnals.  But until 1954 it failed to find its rightful place in the singing of our congregations.

. -- -- -- --

I will be posting the words to several more of Fanny Crosby hymns as time goes by.   In the mean time, if you don’t happen to know this one, here is a link to a good presentation of this song:

            [posted by “TheHymnsOfPraise” website]


[1] Crusader Hymns and Hymn Stories; by The Billy Graham Team,  Special Crusade Edition, Hope Publishing Company, Chicago, IL  60644, pg 93